Artist Talk

Diedrick Brackens and Josh Faught

October 8, 2026
5:30 pm

A diptych showing two men posing indoors. On the left, a Black man wears a colorful plaid shirt with lavender trousers and stands with his arms crossed. On the right, a light-skinned man wearing glasses poses in a green-and-white striped shirt layered under a patterned brown sweater vest. Both face the camera.
Diedrick Brackens. Photo credit: Courtesy of SCAD; Josh Faught. Photo courtesy of the artist.

Tyler School of Art and The Fabric Workshop and Museum are pleased to co-host an artist conversation with Bay Area-based artists Diedrick Brackens and Josh Faught, who will discuss their individual artistic practices and approaches to fiber, material, craft, and identity.

Diedrick Brackens is an artist whose woven tapestries draw on the visual language and histories of textile traditions to explore Black and queer identity, mythology, intimacy, and belonging. His practice brings together historical and contemporary references through richly patterned and materially complex compositions.

Josh Faught is a fiber artist and educator whose multidisciplinary practice encompasses sculpture, textiles, collage, and painting. Drawing on techniques including knitting, crochet, and weaving, Faught’s work considers the intersections of craft, queer history, material culture, and personal and collective memory.

Presented in collaboration with Art History, the Queer Materials Lab, and Fiber Material Studies at Tyler School of Art. The conversation coincides with You Stretched Diagonally Across It: Contemporary Tapestry, an exhibition at The Fabric Workshop and Museum featuring the work of both artists. The exhibition is on view through January 3, 2027.

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Event Information

October 8, 2026
5:30 pm

Tyler School of Art, Temple University
Fiber and Materials Department Room 250
2001 N 13th St, Philadelphia, PA 19122

Free and open to the public
No advance registration required


About the Participants

Diedrick Brackens (b. 1989, Mexia, TX; lives and works in Los Angeles, CA) is best known for his woven tapestries that explore allegory and narrative through the artist’s autobiography, broader themes of African American and queer identity, as well as American history. Brackens employs techniques from West African weaving, quilting from the American South and European tapestry-making to create both abstract and figurative works. Often depicting moments of male tenderness, Brackens culls from African and African American literature, poetry and folklore as source. Beginning his process through the hand-dying of cotton, a material he deliberately uses in acknowledgement of its brutal history, Brackens’ oeuvre presents rich, nuanced visions of African American life and identity, while also alluding to the complicated histories of labor and migration. Brackens utilizes both commercial dyes and atypical pigments such as wine, tea and bleach to create his vibrant, intricately-woven tapestries that investigate historical gaps, interlacing the present with his singular magical realist worldview.

One of Brackens’ recent bodies of work considers the Center for Disease Control’s shocking projections of HIV diagnosis rates for black and Latino gay men. While the AIDS epidemic is frequently discussed as a thing of the past, Brackens considers the present moment as the lens through which we examine history–what we have learned, and what, or who, has been overlooked. Brackens’ scenes intentionally lack any sort of moralizing tone, allowing his subjects the freedom of living life on their terms.

Josh Faught (b. 1979, St. Louis, MO) is a Sacramento-based artist and educator. His work uses pop cultural detritus, archival materials, and the vernacular of textiles to address the relationships between language, community, and the constructions of identity. His work has been exhibited internationally at such venues as the Henry Art Gallery, Seattle, WA; the Wattis Institute, San Francisco, CA; Kendall Koppe Gallery, Glasgow, UK; Casa Loewe, London, UK; the Contemporary Art Museum, St. Louis, MO; James Cohan Gallery, New York, NY, and the New Museum, New York, NY. Faught is a Professor and a Maria Manetti Shrem Endowed Chair in Art Studio at the University of California Davis. He is a recipient of a 2025 Guggenheim Fellowship and the 2025 Trellis Art Foundation Stepping Stone Grant.


Support

This program is made possible through the use of Tyler School of Art & Architecture’s General Activity Fee.