Master Class

Mythology from Materials: Diedrick Brackens and Josh Faught

October 10, 2026
2:00 pm to 5:00 pm

A diptych photo featuring two tapestries. On the left, a weaving featuring two figures outlined and rendered flat in solid, textured colors of magenta and maroon. Their left legs are both raised and bent, with their arms entertwined. On the right, a diptych of stacks of words with trails of fringe hanging.
Diedrick Brackens. nuclear lovers, 2020. Josh Faught. Bereaved on a Budget, 2022. Photo credit: Constance Mensh.

How can materials embody memory, experience, and mythology? Guided by artists, Diedrick Brackens and Josh Faught, transcend the technical boundaries of weaving to explore its more metaphysical possibilities.

Through conversation, experimentation, and making, create your own personal elixir and learn to transform traditional and non-traditional weaving materials through mono printing, dyeing, and hand-painting techniques. Each participant will leave with a collection of materials transformed through various techniques, a 6 x 9-inch wooden loom, and a printed weaving design template.

Organized in conjunction with You Stretched Diagonally Across It: Contemporary Tapestry.

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Event Information

October 10, 2026
2:00 pm to 5:00 pm

The Fabric Workshop and Museum
1214 Arch Street, Philadelphia, PA 19107

Sixth Floor Print Studio

$100 Public | $80 Students with valid ID and FWM members

Register

About the Participants

Diedrick Brackens (b. 1989, Mexia, TX; lives and works in Los Angeles, CA) is best known for his woven tapestries that explore allegory and narrative through the artist’s autobiography, broader themes of African American and queer identity, as well as American history. Brackens employs techniques from West African weaving, quilting from the American South and European tapestry-making to create both abstract and figurative works. Often depicting moments of male tenderness, Brackens culls from African and African American literature, poetry and folklore as source. Beginning his process through the hand-dying of cotton, a material he deliberately uses in acknowledgement of its brutal history, Brackens’s oeuvre presents rich, nuanced visions of African American life and identity, while also alluding to the complicated histories of labor and migration. Brackens utilizes both commercial dyes and atypical pigments such as wine, tea and bleach to create his vibrant, intricately-woven tapestries that investigate historical gaps, interlacing the present with his singular magical realist worldview.

One of Brackens’s recent bodies of work considers the Center for Disease Control’s shocking projections of HIV diagnosis rates for Black and Latino gay men. While the AIDS epidemic is frequently discussed as a thing of the past, Brackens considers the present moment as the lens through which we examine history—what we have learned, and what, or who, has been overlooked. Brackens’ scenes intentionally lack any sort of moralizing tone, allowing his subjects the freedom of living life on their terms.

Josh Faught is a Sacramento-based artist and educator. His work uses pop cultural detritus, archival materials, and the vernacular of textiles to address the relationships between language, community, and the constructions of identity. His work has been exhibited internationally at such venues as the Henry Art Gallery, Seattle; the Wattis Institute, San Francisco; Kendall Koppe Gallery, Glasgow; Casa Loewe, London; the Contemporary Art Museum, St. Louis; James Cohan Gallery, New York, and the New Museum; New York. Faught is a Professor and a Maria Manetti Shrem Endowed Chair in Art Studio at the University of California Davis. He is a recipient of a 2025 Guggenheim Fellowship and the 2025 Trellis Art Foundation Stepping Stone Grant.