The Fabric Workshop and Museum (FWM) is an internationally acclaimed contemporary art museum devoted both to the creation and presentation of innovative works of art. Its Artist-in-Residence Program provides artists at all stages of their careers with the opportunity to collaborate with FWM as they experiment with new materials and new media, taking their work in fresh and often unexpected directions. Founded in 1977 by Marion “Kippy” Boulton Stroud (1939-2015), FWM presents ambitious exhibitions which convey a story of contemporary art that unites process with finished works.
FWM originally invited artists to experiment with fabric, and later with a wide range of innovative materials and media. From the outset, FWM also served as an education center for Philadelphia’s youth who, as printing apprentices, learned technical and vocational skills along with approaches to creative expression. Today, FWM is recognized as an internationally acclaimed contemporary art museum, working in collaboration with artists coming from diverse artistic backgrounds including sculpture, installation, video, painting, photography, ceramics, and architecture. Research, construction, and fabrication occur on site in studios (open by appointment) providing visitors with the opportunity to see artwork from conception to completion.
FWM’s permanent collection includes not only completed works of art, but also material research, samples, prototypes, and photography and video of artists making and speaking about their work. This collection and archive, as well as publications, preserve and document the arc of artistic production. FWM brings this spirit of artistic investigation and discovery to the wider public and to local students in particular, ensuring and broadening their access to art and advancing its role as a catalyst for innovation and social connection.
Founded in 1977, The Fabric Workshop and Museum (FWM) both “makes and presents,” encouraging artists to experiment with new materials and new media in a veritable living laboratory. Working with studio staff, educators, and apprentices through FWM’s renowned Artist-in-Residence Program, artists have the ability to expand their practices in a collaborative process documented from inspiration to realization. The gallery program presents large-scale exhibitions, installations and performative works utilizing innovative fiber and other media; publications and wide-ranging educational programming further FWM’s commitment to groundbreaking contemporary work in collaboration with some of the most significant artists of our time.
Since its inception in 1977, The Fabric Workshop and Museum (FWM) has developed from an ambitious experiment to a significant contemporary art institution, featuring a museum collection documenting over 40 years of artistic innovation, highly acclaimed exhibitions, and an educational program featuring apprenticeships and a diverse range of public programming.
At the outset, Marion Boulton Stroud (1939-2015) envisioned founding an organization that combined the activities of the Finnish fabric printing company Marimekko—which promotes design excellence in everyday objects—with contemporary printmaking ateliers such as Gemini G.E.L. and Universal Limited Art Editions (U.L.A.E.)—which encourage artists to experiment with techniques unfamiliar to them, such as lithography or etching. With these models, Stroud established an inner-city art education program that provided a creative outlet for students of all ages, while also training them for careers in the textile industry.
Within FWM’s workshop space, students and artists have mastered hand screen printing on fabric, as well as exploring a wide array of new materials and new media. Working alongside FWM’s highly trained staff as part of the internationally acclaimed Artist-in-Residence (AIR) Program, artists have realized ambitious and experimental projects that they may not have been able to achieve on their own. Over the years, the artworks resulting from this collaborative process have expanded the possibilities of contemporary art practice with the integration of new techniques, applications, and presentations.
In 1996, the word “Museum” was integrated into the institution’s name to reflect its growing collection of contemporary art, as well as FWM’s commitment to the presentation and preservation of these holdings and related educational programming. Susan L. Talbott has served as Executive Director since 2016 and during her tenure FWM more than doubled its attendance and professionalized its operations. Upon her retirement at year’s end, Christina Vassallo will take the reins. To learn more about Susan’s tenure and Christina’s recent hire, please visit the FWM Press Room.
Board of Directors
Founder and Artistic Director (1977-2015)
Susan Lubowsky Talbott
Maja Paumgarten Parker, President
Jill Bonovitz, Vice President
Eugene Mopsik, Treasurer
Lynn Hitschler, Secretary
Susan Lubowsky Talbott, Executive Director
Ann T. Loftus, Esquire
Mary MacGregor Mather
Margaret “Maggie” A. McGreal
John B. Ravenal
David F. Stephens
Theodore R. Aronson, Emeritus
Richard P. Jaffe, Esquire, Emeritus
Joseph J. Rishel, Emeritus
Anne F. Wetzel, Emeritus
Samuel H. Young, Emeritus
Artist Advisory Committee
Valerie Cassel Oliver
Yoshiko Iwamoto Wada