“Palpably enticing” —Vogue
The result of an 18-month residency, this ambitious exhibition features an immersive sculptural environment created through Henry Taylor’s continued exploration of painting and sculpture alongside his first experimentation with textiles.
Nothing Change, Nothing Strange exemplifies many of the themes that run through Taylor’s practice and investigates the boundaries that have historically divided painting and sculpture. During his residency, Taylor collaborated with the FWM Studio team to assemble materials sourced from the Recycled Artists in Residency program (RAIR)—a non-profit organization focusing on the intersection of art, industry, and waste. Dissecting, merging, and mending these recycled materials has enabled Taylor to forge a previously uncharted avenue in his ever-expanding artistic process while examining how people and materials are held together, separated, and categorized both socially and systematically. In Nothing Change, Nothing Strange, Taylor considers the signifying potential of color and pattern, the complexity and parameters of space, and the historical persistence of oppression—illustrated by the exhibition’s very title.
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