Artist-in-Residence

Matthew Ritchie

Matthew Ritchie, Exhibition View
Matthew Ritchie, in collaboration with The Fabric Workshop and Museum, Philadelphia. Matthew Ritchie: Proposition Player (exhibition view), 2005.

Featuring The God Impersonator #2 (floor), 2003. Rubber, adhesive, and tyvek. 312 x 480 inches.

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Matthew Ritchie explores the complex nature of the universe and the intricacies of the human experience, integrating science, philosophy, religion, fiction, and mythology into multimedia installations that create elaborate systems of information modeling internal and external worlds. These systems originate in straightforward and primitive units that increase in complexity as they are combined, essentially forming miniature universes.

For Ritchie’s FWM exhibition, he transformed the gallery space with several new works, including The God Impersonator, a large, jigsaw-puzzle-like floor mosaic, which represents the artist’s complex, ever-growing narrative. As visitors entered the exhibition, they were invited to choose a card from an artist-designed deck. No ordinary playing cards, these depicted various imaginative characters such as “The Strong Force/Gluons” and “Aratron/Arthur King/Archaea/Creation.” The playing cards served as admission to a digital craps game and installation, Proposition Player.

In addition to The God Impersonator and Proposition Player, FWM also presented Ritchie’s work Clinamen (2004), a single-channel animation projection that is the prototype for a total animated environment, coproduced by FWM.


Artist Bio

British, born 1964, London, UK. Lives and works in New York, NY.  

Matthew Ritchie captures theoretical concepts through gestural form. The artist articulates information systems through a visual language consistent across his often large-scale, multi-media projects. Ritchie received his BFA from the Camberwell School of Art, London. He moved to New York, NY in 1989. Ritchie has been selected for numerous biennials including the Whitney Biennial, the Sydney Biennial, the Sao Paulo Biennial, the Venice Architecture Biennale, the Seville Biennale, and the Havana Biennale. He has written for publications such as Artforum, Flash Art, Contemporary Arts Journal, and Edge. Solo exhibitions of his work have been presented at Institute of Contemporary Art, Boston, MA; Dallas Museum of Art, TX; Contemporary Arts Museum, Houston, TX; and Zentrum für Kunst und Medien, Karlsruhe, Germany, among others. His work is represented in public collections including the Solomon R. Guggenheim Museum, New York, NY; the San Francisco Museum of Modern Art, CA; DESTE Foundation for Contemporary Art, Athens, Greece; and Massachusetts Museum of Contemporary Art, North Adams, MA, among others.