Artist-in-Residence

Mark Dion and J. Morgan Puett

Mark Dion and J. Morgan Puett, Exhibition View
Mark Dion and J. Morgan Puett, in collaboration with The Fabric Workshop and Museum, Philadelphia, RN: The Past, Present and Future of the Nurses’ Uniform (exhibition view), 2003-2004. Photo credit: Aaron Igler.

Mark Dion and J. Morgan Puett collaborated with FWM to investigate the often subtle ways in which the nursing uniform, by design, informed notions of identity, professional hierarchy, and labor within the field. The resulting exhibition, RN: The Past, Present and Future of the Nurses’ Uniform, combined historical artifacts and documentation with artist-designed contemporary and futuristic uniforms.

Dion and Puett’s research at the now-defunct Marvin Neitzel Corporation, manufacturer of nursing uniforms, in Troy, New York, led them to historical nursing and medical collections in the Philadelphia area, dating from as early as the nineteenth century. The loaned objects provided a compelling look at the evolution of the nursing profession and uniform itself.

For the present day, Dion and Puett conceived the Ideal Nurses’ Uniform in collaboration with the nursing community through focus groups and an online questionnaire. Dion and Puett mined feedback from retired, practicing, and student nurses to represent the past, present, and future. Then, FWM staff manufactured the Ideal Nurses’ Uniforms within a reconstructed Marvin Neitzel factory inside the gallery.

Dion and Puett imagined that the social role of the nurse will change dramatically in the future, demanding a more sophisticated and innovative uniform design. Drawing on science fiction and new material technologies, the Bioterrorism Nurse, Diagnostic Nurse, Post-Apocalyptic Nurse, and Intergalactic Nurse were the conceptual foundation behind The Nurses’ Uniforms for the Future section. For example, conductive fiber technology embedded in the Diagnostic Nurses’ uniform assessed a patient’s vital signs through touch, like a comforting embrace. The Bioterrorism Nurses’ uniform protected against biological or chemical attacks, enabling nurses to endure danger while administering care to patients. This installation served as an imaginative extension of Dion and Puett’s study of the history of nursing that applied information they gleaned from their interaction with nurses working in the field.


Artist Bio

Mark Dion
American, born 1961, lives in New York.

Born in New Bedford, Massachusetts, Mark Dion initially studied at the Hartford Art School of the University of Hartford, Connecticut. He also attended the School of Visual Arts in New York and then the Whitney Museum of American Art’s Independent Study Program. His work explores the history, epistemology, and the legacy of ideological displays in public institutions. Dion invokes scientific forms of presentation, such as archeology and field ecology to interrogate socially constructed distinctions of ‘objective’ and ‘subjective’ knowledge in his installations. His accolades include the ninth annual Larry Aldrich Foundation Award (2001), The Joan Mitchell Foundation Award (2007), and the Smithsonian American Art Museum’s Lucida Art Award (2008). His works have been shown at the Museum of Modern Art, New York (2004); Mass MoCA (2013); and the British Museum of Natural History, London (2007).

J. Morgan Puett
American, born 1957, lives in Pennsylvania.

J. Morgan Puett received a BFA in painting and sculpture in 1981, and an MFA in sculpture and experimental film in 1985, both from the School of the Art Institute of Chicago. Puett is an interdisciplinary artist, working with installation, clothing, furniture design, and architecture, among others. She is interested in research-based methods with focuses on natural sciences, political economies, design, and tactics for collaboration. She has exhibited at a diverse range of venues such as the Museum of Modern Art, New York (2010, 2012-13); Contemporary Art Center, Tbilisi, Republic of Georgia (2012); Creative Time, NYC (2011); Queens Museum of Art, NYC (2010); Mass MoCA, Massachusetts (2004); Spoleto, USA, Charleston, SC, (2002); The Serpentine Gallery & Victoria and Albert Museum, London (2001). Puett’s many awards include the Smithsonian Institution Artist Research Fellowship (2009); the Anonymous Was A Woman Award (2005); the Pollock-Krasner Foundation Award, and the John Simon Guggenheim Memorial Foundation Award (2016).