Artist-in-Residence

Jayson Musson

Jayson Musson, Black Bisector (detail), 2015. Mercerized cotton. 96 x 72 inches. Courtesy of the artist and Salon 94, New York.

From 2010 to 2012, Jayson Musson became an internet sensation with ART THOUGHTZ. Over the course of 20 YouTube-based performances, Musson (through his character Hennessy Youngman) incisively satirized both pop culture and art “insiders,” exposing the elitism of the art world and critiquing contemporary art while offering new ways of understanding the cultural landscape he traversed. Ten years later, art institutions are re-examining their role and acknowledging the fault lines in their foundation. Yet at the same time, the fundamental instrument of validation in the art world—the field of art history—remains narrow in scope and entrenched in a Western, male-dominated canon. This will be the focus of Musson’s next cultural critique, with an approach that equally informs and interrogates through his signature humor and accessibility.

“Good humor always moves toward truth,” Musson explains. “This exposure of truth is what causes a joke to resonate with a listener and connect with their often-unspoken experiences and feelings. Jokes uncover, jokes expose, jokes bring into the light things which are oft buried by individuals and a society. Comedy’s propensity to dig up skeletons and parade them in front of an audience with little regard for consequence or moral constraint is one of the main reasons it has been a useful tool in exposing inequality and grand social failings.”


Artist Bio

American, born 1977, lives in Philadelphia, PA.

Jayson Scott Musson was born in the Bronx, NY. He received a BFA in photography from University of the Arts and an MFA in painting from the University of Pennsylvania, both in Philadelphia, also attending the Skowhegan School of Painting and Sculpture in Skowhegan, ME in 2011. Musson is represented by Salon 94 in New York and Fleisher/Ollman in Philadelphia. His solo exhibitions include We Sing in A Dead Language, Zidoun-Bossuyt Gallery, Luxembourg City, Luxembourg (2019); Demon All Day, Salon 94 Freemans, New York (2017); The Truth in the Song, Fleisher/Ollman Gallery, Philadelphia (2016); The Grand Manner at the Pennsylvania Academy of the Fine Arts, Philadelphia (2011); and Too Black For BET, Dazed & Confused Magazine Gallery, London, England (2008). His work has been included in group exhibitions at the Whitney Museum of American Art, Lisson Gallery, and Postmasters Gallery, New York; Whitechapel Gallery, London; Galerie Perrotin, Paris; Grimmuseum, Berlin; Museum of Contemporary Art, Chicago; David Castillo Gallery, Miami; and Yerba Buena Center for the Arts, San Francisco, among others.