Bob Bingham’s work imagines a sustainable future, engaging with ecological issues of human impact on the environment. Over a period of four decades, his art practice evolved from mixed media installations into interdisciplinary community-led projects. Through these collaborations, his work came to examine and transform our relationship between the natural and built environment.
During his 1986 residency, Bingham created garments and structures from brick-patterned yardage designed and screenprinted with the FWM Studio. His sculptural project, Urban Survival Equipment, is comprised of three objects: a lean-to tent, a pup tent, and a parking aid. Bingham’s gesture is one of subversion and camouflage: by projecting the visual language of permanence, the brick pattern allows the user of these mobile shelters to blend into a built environment. Moving beyond a work that succeeds at mere playful deception, however, Bingham challenges societal attitudes. What—or who—is seen and unseen in our urban landscape?
