Joan Jonas’s reading of Dante’s fourteenth-century epic poem The Divine Comedy inspired her FWM residency project. Jonas drew on verses from all three canticles—the Inferno, Purgatory, and Paradise—to develop multiple iterations of her installation Reading Dante III and performance Reading Dante II. In these works, Jonas translated Dante’s vision according to her perspective in the present moment. Both the medieval era of Dante and our own time, she noted, are periods of extraordinary change.
For her installation Reading Dante III, Jonas layered many media and images to create an atmospheric environment. In the darkened gallery large-scale, white-chalk wall drawings, projected drawings, and drawings displayed on tabletops coexisted with video footage, benches, and paper lamps. In the simultaneously running videos—Reading Dante III, Street Scene Drawing, Drawing Dante, and Medical Diagrams—Dante’s verses are recited and integrated with depictions of performances and images. Jonas used a free-association method to create a personal, eccentric visual language, bringing her interpretation of Dante’s work to life while allowing her viewers to experience the resulting work without any preconceptions.