Artist-in-Residence

Glenn Ligon

Glenn Ligon, "Skin Tight (Thuglife II)," Detail, 1995
Glenn Ligon, in collaboration with The Fabric Workshop and Museum, Philadelphia, Skin Tight (Thuglife II) (detail), 1995. Yellow ink on black vinyl. 35 x 18 x 37 inches. Edition of 7.

Skin Tight is Glenn Ligon’s first major sculptural work. Building on his Whitney Museum project—a single standard-issue punching bag with stencilled text borrowed from The Greatest, a film about Muhammad Ali—Skin Tight is an investigation into the form and symbolism of the punching bag and its connection to American societal ideas of black men, boxing, and rap music.

Though Ligon wanted this series of eight punching bags to look and feel like authentic bags, he also wanted to individualize each bag and create a strong statement formed by a series of distinct “voices.” A standard Everlastbag was disassembled and used as a pattern for making the series in a range of fabrics, including canvas, vinyl, and satin. Ligon then designed patterns for silkscreen printing—one bag depicts an image of Muhammad Ali, another the rapper Ice Cube’s glaring eyes. A black vinyl bag is printed with the altered logo “Thuglife,” which alludes not only to the Everlast™ logo but also to the slogan tattooed on the late rap artist Tupac Shakur. One bag is covered with clear plastic pockets, a reference to the idea that the image of any opponent could be inserted and used to rouse the anger of the punching bag’s user.

Collectively, the punching bags of Skin Tight convey a physical presence, as if each bag represents a body, and specifically a black male body. One is glorified and heightened with the sheen of satin fabric; another, made from black vinyl, is slumped on the floor, a defeated and limp form.


Artist Bio

American, born 1960 in the Bronx, NY. Lives and works in New York, NY. 

Glenn Ligon is a multimedia conceptual artist best known for his text-based paintings and sculptural work exploring the history of race, identity, and sexuality in America. Ligon spent two years attending the Rhode Island School of Design before transferring to Wesleyan University, where he graduated with a B.A. in 1982. Ligon also attended the Whitney Independent Study Program at the Whitney Museum of American Art, NY, which, decades later would present a mid-career travelling retrospective of his work, Glenn Ligon: America (2011). 

Since his first solo exhibition in 1990, “How It Feels to Be Colored Me” (titled after a book by Zora Neale Hurston), was displayed in a Brooklyn gallery, Ligon’s work has been the subject of solo exhibitions at Camden Arts Center, London, UK; the Power Plant, Toronto, ON, Canada; the Walker Art Center in Minneapolis, MN; and the Studio Museum in Harlem, NY. Ligon has exhibited and helped to curate shows at the New Museum, New York, NY (2021), the Musée d’Orsay, Paris, France (2019), the Pulitzer Arts Foundation in St. Louis, MO (2017), and Tate Liverpool, UK (2015).  Many of Ligon’s pieces are held in permanent collections of museums and art institutions worldwide. His work has been featured in important international exhibitions, including the Venice Biennale (2015 and 1997), Berlin Biennale (2014), Istanbul Biennial (2011, 2019), Documenta XI (2002), and Gwangju Biennale (2000). Ligon is represented by Hauser & Wirth in New York, NY; Regen Projects in Los Angeles, CA; Thomas Dane Gallery in London, UK; and Chantal Crousel in Paris, France.