Exhibition

The Living Temple: The World of Moki Cherry

September 25, 2025–April 12, 2026

A photo of a fabric-based artwork of the face of a three-eyed dragon staring directly at the viewer. The face is cartoonish and mostly symmetrical, with different colors of fabric emanating outwardly from its nose. It has a large red upper lip that bows upward, with colorful tassels hanging under its teeth.
Moki Cherry, Title Unknown (Dragon), 1975. Textile appliqué tapestry. 78.75 x 137.75 inches. Photo credit: Anders Sune Berg, Galleri Nicolai Wallner.

“Home is stage, stage is home.” —Moki Cherry

 

Step inside The Living Temple—a vibrant retrospective celebrating the boundary‑breaking Swedish artist Moki Cherry (1943–2009), whose life was her canvas. From colorful textiles, costumes, and posters to ceramics, video, and sound, Moki’s work dissolves the line between home and stage, art and everyday life.

Moki Cherry began her decades-long career as a practicing artist in the mid-1960s, living and working between Sweden and New York until her death in 2009. Moki’s collaborations with her partner, legendary composer Don Cherry, turned ordinary spaces into joyful happenings—art that moved, sang, and celebrated life as a creative act. Beginning in the 1960s, and continuing for nearly two decades, their alliance entwined music, theater, performance, and art in experimental ways, forging hybrid audiovisual spectacles brimming with life and social consciousness. They coined the terms “Movement Incorporated” and “Organic Music,” evoking both new experiences and their roots in the natural world. Together, they challenged hierarchies embedded within contemporary music and art and created a total experience that defied genre.

Shaped by an itinerant life, Moki’s work integrated global artistic traditions without being confined to a singular cultural lineage. Explore Moki’s radical vision through tapestries, paintings and drawings, concert posters, clothing and costumes, sculpture, music, video, and archival materials. Discover how the artist’s collaborative and disruptive model of working fluidly across materials and sensibilities transformed unremarkable spaces into extraordinary settings.

Complementing The Living Temple is new work by Chicago-based artist Lisa Alvarado, whose approach to artmaking and music shares affinities with Moki’s. Alvarado is known for her free-hanging abstract textile paintings that function as both artworks and mobile stage sets for musical performances by her band, Natural Information Society (NIS). Working in residence with the FWM Studio, Alvarado will develop new works on fabric for an immersive environment, presented alongside a season of live performances curated by Ars Nova Workshop.

 

Location

The Fabric Workshop and Museum
1214 Arch Street, Philadelphia, PA 19107

First and Eighth Floor Galleries

Opening Reception

Thursday, September 25, 2025, 6:00–8:00 pm
Free | RSVP available soon


Art in This Exhibition


Downloadable Media and Related Links

Download the Press ReleaseDownload the Press Release


About the Artist

Swedish, 1943–2009. Lived and worked in London, New York, and Tågarp.

Moki Cherry was a Swedish artist and designer who worked in tapestry, painting, music, clothing, collage, sculpture, and ceramics. Born Monica Karlsson in Norbotten, Sweden, Moki moved to Stockholm in 1962 to study fashion design and drawing, but life redirected her career towards a broader creative practice integrating painting, tapestry, costume, set design, and collaborations with her partner, jazz musician Don Cherry (1936–1995).

Moki’s artworks incorporate functional materials and traditional crafts, seen in her textile appliqué pieces, woodcarvings, paintings, furniture, and ceramics. Exploring themes of ecology, environmental and spiritual awareness, caregiving and the home environment,  Moki envisioned her art as a holistic way of life she described as “home as stage, stage as home.” Her interdisciplinary works reached audiences through performances, workshops, schools, galleries, and in her own home.

Moki met Don Cherry in 1963 in Stockholm during his tour with Sonny Rollins. Over 20 years, they lived between Sweden and New York, raising their children and collaborating on projects such as Organic Music. In 1970 they bought a former schoolhouse in Skåne, which became a base for their semi-nomadic lifestyle. This space was central to their artistic and family life and acted as a creative and educational hub for musicians, artists, friends and children. Moki exhibited her work for over four decades, dividing her time between Sweden and New York until her death in 2009.


About the Organizers

The Living Temple: The World of Moki Cherry is organized by Ars Nova Workshop in partnership with The Fabric Workshop and Museum, Philadelphia. The exhibition is curated by Mark Christman, Executive and Artistic Director at Ars Nova Workshop, and Danielle Jackson, Curator at Artists Space, New York.


Support

Major support for “The Living Temple” has been provided by The Pew Center for Arts & Heritage, with additional support from the Coby Foundation, the Pennsylvania Department of Economic & Community Development, the Robert D. Bielecki Foundation, and the American-Scandinavian Foundation.

Major support for The Fabric Workshop and Museum is provided by The Marion Boulton “Kippy” Stroud Foundation, The A G Foundation, The Philadelphia Cultural Fund, and the annual financial support of our board and individual donors.

 


Art