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Jacolby Satterwhite, Room for Demoiselle Two, 2019. Image courtesy of the artist and Mitchell-Innes & Nash, New York. Jacolby Satterwhite, in collaboration with The Fabric Workshop and Museum, Philadelphia. Room for Doubt, 2019. 5-channel HD color video, insulation foam, expanding glue, resin, fairing filler, plywood, faux-leather vinyl, double-faced chiffon, polyester rope, thread, automotive paint, and inkjet print on synthetic cotton. 93 x 96 x 96 inches. Photo credit: Carlos Avendaño. Jacolby Satterwhite, in collaboration with The Fabric Workshop and Museum, Philadelphia. Throne, 2019. LED, plexiglass, silicone, velvet chairs, and plastic plants. Dimensions variable. (On VR headsets: Jacolby Satterwhite, Domestika, 2017. HD virtual reality color video with sound. Courtesy of the artist and Mitchell-Innes & Nash, New York, Morán Morán, Los Angeles, and LUNDGREN GALLERY.) Photo credit: Carlos Avendaño.
Jacolby Satterwhite, Room for Demoiselle Two, 2019. Image courtesy of the artist and Mitchell-Innes & Nash, New York.
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Jacolby Satterwhite, in collaboration with The Fabric Workshop and Museum, Philadelphia. Room for Doubt, 2019. 5-channel HD color video, insulation foam, expanding glue, resin, fairing filler, plywood, faux-leather vinyl, double-faced chiffon, polyester rope, thread, automotive paint, and inkjet print on synthetic cotton. 93 x 96 x 96 inches. Photo credit: Carlos Avendaño.
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Jacolby Satterwhite, in collaboration with The Fabric Workshop and Museum, Philadelphia. Throne, 2019. LED, plexiglass, silicone, velvet chairs, and plastic plants. Dimensions variable. (On VR headsets: Jacolby Satterwhite, Domestika, 2017. HD virtual reality color video with sound. Courtesy of the artist and Mitchell-Innes & Nash, New York, Morán Morán, Los Angeles, and LUNDGREN GALLERY.) Photo credit: Carlos Avendaño.
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Jacolby Satterwhite: Room for Living

September 13, 2019–January 19, 2020

Opening Reception:
Friday, September 13, 2019, 6:00 – 8:00 pm 
 
Public Programs:  
Saturday, December 14, 2019, 1:00 - 4:00 pm
 
Reception: Friday, January 10, 2020, 6:00 – 8:00 pm
Public Program: Saturday, January 11, 2020, 12:00 – 5:00 pm
 
Thursday, January 16, 2020, 7:00 - 8:00 pm
Pennsylvania Academy of the Fine Arts, John and Richanda Rhoden Arts Center
118-128 N Broad St, Philadelphia, PA 19102
 
Past Programs: 
Friday, October 4, 2019, 6:00 – 8:00 pm

Saturday, October 5, 2019, 11:00 am – 2:00 pm
 
Wednesday, October 23, 2019, 6:30 – 7:30 pm
Co-Sponsored by The Department of Fine Arts, University of Pennsylvania Stuart Weitzman School of Design, and The Sachs Program for Arts Innovation
University of Pennsylvania, B1, Meyerson Hall, 210 S 34th Street, Philadelphia, PA 19104
 
Friday, October 25, 2019, 4:00 – 6:30 pm
 
Monday, October 28, 2019, 7:00 – 9:00 pm
University of Pennsylvania LGBT Center, 3907 Spruce Street, Philadelphia, PA 19107 
 
Friday, November 1, 2019, 6:30 – 8:00 pm
 
Wednesday, November 6, 2019, 7:00 – 8:30 pm
BalletX, 1923 Washington Avenue, Philadelphia, PA 19146
 
Wednesday, November 13, 2019, 6:00 – 7:00 pm
 
Thursday, November 14, 2019, 7:00 – 8:00 pm
The African American Museum in Philadelphia, 701 Arch Street, Philadelphia, PA 19106



In Jacolby Satterwhite’s animated videos, human avatars interact with 3D models in an amorphous, liberated realm; neither time, space, scale, nor societal normativity limit the expression of his characters or architecture. Collaborating with FWM as an Artist-in-Residence, Satterwhite has reimagined elements from his acclaimed digital animation work spanning nearly a decade in Room for Living, his first solo museum show. From the initial phase of his two-year residency, Satterwhite has worked with the FWM Studio team to integrate digital fabrication tools into his expanding practice, bringing animations to life in physical form. Building upon the scenes and motifs featured in two groundbreaking series—Reifying Desire (2011-2014) and Birds in Paradise (2017-2019)—the exhibition will feature multi-media installations, new video works, and a virtual reality experience.

Over the past decade, his videos have also referenced the works of his late mother, Patricia Satterwhite, who was diagnosed with schizophrenia when her son was in middle school and prolific in the creation of inventive drawings intended to solve problems both mysterious and mundane. Reifying Desire, an opus-scale series of six videos combining the artist’s interest in the histories of art, dance, queer theory, and American material culture, often featured his mother’s drawings as three-dimensional digital objects. More recently, Birds in Paradise incorporated audio tracks made from a cappella recordings written and sung by Ms. Satterwhite. In Room for Living, the artist continues this collaboration with his mother, pays homage to a lifetime of ingenuity by realizing her designs as physical objects.

Iconic scenes from the Reifying Desire series will take three-dimensional form as physical objects constructed by the FWM Studio. Employing cutting-edge techniques in digital fabrication—such as 3D printing and CNC machining—these objects will be integrated into five multi-media installations featuring elements from Satterwhite’s videos at various scales, from three-inch miniatures to figures standing over seven feet tall. His allusions to Modern and Renaissance painting will also be present, as seen in the seven-foot tall figures composed in one installation to reference The Incredulity of Saint Thomas by Caravaggio (1601-2). In another, the artist has positioned five female figures to resemble the protagonists in Picasso’s Les Demoiselles d’Avignon (1907). The exhibition will also feature a new video by Satterwhite marking the continuation of ideas introduced in Reifying Desire and Birds in Paradise, accompanied by a virtual reality component. Providing an opportunity to digitally enter the artist’s world and explore it in 360 degrees, visitors will be guided by a soundtrack poignantly interwoven with the transformed voice of the artist’s mother.

Please note: Jacolby Satterwhite: Room for Living presents work with mature content related to expressions of human sexuality. Families and educators bringing youth should preview the exhibition before visiting with younger viewers.

 
About the Artist

Jacolby Satterwhite (b. 1986, South Carolina) is a Brooklyn-based visual and conceptual artist whose interdisciplinary practice includes video, performance, 3D animation, fiber, and printmaking. Drawing from an extensive set of references—queer theory, modernism, video game history, and personal mythology—he synthesizes multiple disciplines in immersive installations. Satterwhite employs virtual reality (VR) and digital media to produce intricately detailed animations and live action video of real and imagined worlds populated by avatars. The artist holds a BFA from Maryland Institute College of Art and an MFA from the University of Pennsylvania. He is represented by Mitchell-Innes & Nash in New York; Morán Morán in Los Angeles; and Lundgren Gallery in Mallorca, Spain. Satterwhite's work is in the collections of the Museum of Modern Art (New York), The Whitney Museum of American Art, and Studio Museum in Harlem, among others. He received the USA (United States Artists) Francie Bishop Good & David Horvitz Fellowship in 2016.

 

Recent Press

  
 

The Philadelphia Inquirer, "30 Americans at the Barnes: What you take away depends on what you know coming in," by Thomas Hine, October 27, 2019

Fader, "How Artist Jacolby Satterwhite Transformed Family Recordings for His New Album," by Mitchell Kuga, October 25, 2019

 
 
 
 
 
 
 

 

Support for Jacolby Satterwhite: Room for Living is provided by The Joy of Giving Something, Inc., The Andy Warhol Foundation for the Visual Arts, The National Endowment for the Arts, Budmen Industries, The Sachs Program for Arts Innovation, University of Pennsylvania, Mitchell-Innes & Nash, New York, and Morán Morán, Los Angeles. 

Major support of FWM is provided by the Marion Boulton “Kippy” Stroud Foundation. FWM receives state arts funding support through a grant from the Pennsylvania Council on the Arts, a state agency funded by the Commonwealth of Pennsylvania and the National Endowment for the Arts, a federal agency. Additional support is provided by The Philadelphia Cultural Fund, Agnes Gund, and the Board of Directors and Members of The Fabric Workshop and Museum.