Current Exhibitions

Bill Viola. The Veiling (detail), 1995. Video and sound installation, including two channels of color video projections from opposite sides of dark gallery through nine scrims suspended from ceiling, two channels of amplified mono sound, and two speakers. 138 x 264 x 372 inches (ideal room dimensions). Collection of The Fabric Workshop and Museum, Philadelphia, Bequest of Marion Boulton Stroud. Photo credit: Carlos Avendaño.

Bill Viola:

The Veiling

June 26, 2019–October 6, 2019

Opening Reception:
Wednesday, June 26, 2019, 10:00 am – 6:00 pm
 
Public Programs: 
Tuesday, July 16, 2019—from 6:00 to 7:00 pm 
Barnes Foundation 
2025 Benjamin Franklin Parkway, Philadelphia, PA 19130


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Upcoming Exhibitions and Events

Jacolby Satterwhite, in collaboration with The Fabric Workshop and Museum, Philadelphia. Room for Demoiselle Two, 2019. Image courtesy of the artist, The Fabric Workshop and Museum, and Mitchell-Innes & Nash, New York.

Jacolby Satterwhite: Room for Living

September 13, 2019–January 19, 2020

Opening Reception:
Friday, September 13, 2019, 6:00 – 8:00 pm 
 


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Past Exhibitions

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Photo credit: Vincent Tullo for The New York Times, 2017. Gallery Walk-through with Executive Director Susan L. Talbott
Poet Talk-Back and Literary Open Mic
Photo credit: Carlos Avendaño, 2018. FWM Teen Happening: What Lies Beneath?
Photo credit: (Left) Peter Serling, 2018. (Right) Sandy Tait, 2018. A Conversation with Suzanne Bocanegra and Hal Foster
Photo credit: Tharangini Studios, 2018. Adult Workshop: Traditional Indian Block Printing with Padmini Govind
Photo credit: Carlos Avendaño, 2018. Gallery Walk-through and Behind the Scenes Tour
Photo credit: Lara Kastner, 2015. Adult Program: JUMPSUIT with Rational Dress Society
Suzanne Bocanegra, Lemonade, Roses, Satchel (video still), 2017. 3:38 mins. Music by Shara Nova. Courtesy of the artist. Suzanne Bocanegra: Poorly Watched Girls
Photo Credit: Carlos Avendaño, 2017 Family Program: Feeling Fun!
Photo Credit: Film Still of Marianne Faithfull in The Girl on a Motorcycle, 1968 (detail) Adult Program: Naked Under Leather Film Series
Photo Credit: Carlos Avendaño, 2018 Teen Program: Feeling Free!
Photo Credit: Courtesy Ursula von Rydingsvard Studio, 2016 "Ursula von Rydingsvard: Into Her Own” Preview Screening of a Film by Daniel Traub and Ken Kobland
Photo Credit: Nicole Donnelly, 2018 Adult Workshop: Paper Pulp Printing with Nicole Donnelly
Ursula von Rydingsvard, Ocean Floor (detail), 1996. Cedar, graphite, cow intestines. 3 x 13 x 11 feet. Courtesy Ursula von Rydingsvard and Galerie Lelong & Co., New York. Ursula von Rydingsvard: The Contour of Feeling
Photo Credit: David Allison, 2002 Ursula von Rydingsvard: Speaking About Her Sculpture and Conversation with Mark Rosenthal
Image credit: Barbara Katus The Museum as a Political Space
Photo Credit: Gabor Szitanyi. Film still from Coming Up for Air, 2003-2005. Image courtesy of the artist. Carrie Mae Weems: Special Lecture by Carrie Mae Weems: Ways and Means
Yinka Shonibare rendering a design for the creation of Space Walk, 2002, during his FWM Artist-in-Residency. Photo credit: Aaron Igler. Film Series: Rare Footage
Artist box contents for Yinka Shonibare, Space Walk, 2002. Printed proofs, color swatches, vintage record albums and mylars. Collection of The Fabric Workshop and Museum, Philadelphia. Photo credit: Carlos Avendaño. Behind-the-Scenes Lunch Series: Material Explorations
Project Technician Joy Ude (left) and Studio Assistant Avery Lawrence (right) screen printing Hidden, 1980 by Artist-in-Residence Will Stokes Jr. Photo credit: Carlos Avendaño. Behind-the-Scenes Lunch Series: Material Explorations
[Clockwise from left to right: Artist Box contents for Louise Bourgeois, "She Lost It" (1992/93), Yinka Shonibare MBE, "Space Walk," (2002), Robert Kushner, Hawaiian Punch cape (1977) and Leonardo Drew, "Number 80" (2002). Photo by Carlos Avendaño.] Teen Program: Inside the Box
Betty Woodman Window, 1980, in collaboration with The Fabric Workshop and Museum, Philadelphia. Pigment on cotton canvas and cotton sateen, cut and pieced together with three repeat patterns: Floating Pots, Platters, and Meandering Stream. Pillow Pitcher, 1979 Earthenware. Photo credit: Phillip Unetic Connections in Clay with Dominique Ellis
Susan L. Talbott leads a gallery walk-through of Lenka Clayton’s 2017 exhibition, Object Temporarily Removed at The Fabric Workshop and Museum. Photo credit: Carlos Avendaño Gallery Walk-through with Curator Susan L. Talbott
Lenore Tawney, Cloud Garment, 1982. Silk satin and silk pongee, stuffed with goose down. 75 1⁄2 x 50 inches. Finished work (right) and Artist Box contents (left). Photo credit: Pamela VanderZwan  A Legacy Made Visible with Matilda McQuaid, Nancy Princenthal and Patterson Sims