01 02
Restless Sleepers/Atomic Shroud, 1981 (detail). Pigment on linen. Two sheets: 114 x 90 inches (289.56 x 228.6 cm) each. Two pillow cases: 20 x 36 inches (50.8 x 91.44 cm) each. Edition of 8 related works (5 on linen, 3 on satin). Restless Sleepers/Atomic Shroud, 1981. Pigment on linen. Two sheets: 114 x 90 inches (289.56 x 228.6 cm) each. Two pillow cases: 20 x 36 inches (50.8 x 91.44 cm) each. Edition of 8 related works (5 on linen, 3 on satin).
Restless Sleepers/Atomic Shroud, 1981 (detail). Pigment on linen. Two sheets: 114 x 90 inches (289.56 x 228.6 cm) each. Two pillow cases: 20 x 36 inches (50.8 x 91.44 cm) each. Edition of 8 related works (5 on linen, 3 on satin).
x
Restless Sleepers/Atomic Shroud, 1981. Pigment on linen. Two sheets: 114 x 90 inches (289.56 x 228.6 cm) each. Two pillow cases: 20 x 36 inches (50.8 x 91.44 cm) each. Edition of 8 related works (5 on linen, 3 on satin).
x

Restless Sleepers/Atomic Shroud, 1981

Artist: Robert Morris

These ghostly and ominous bed sheets were created at The Fabric Workshop and Museum (FWM) at the height of the Cold War, during the Reagan years, when apocalyptic themes were central to Morris' work. At this time, the work produced at the FWM tended to focus on fabric and printing, rather than the broad array of alternative materials used here today. As a result, Morris produced a work distinctive from his other pieces, which are mostly sculptural. To create Restless Sleepers/Atomic Shroud, Morris painted a human skeleton with ink and rolled it on white fabric. The resulting skeleton prints were then assembled into an image that was screen-printed onto a bed sheet. These sheets are one of the most literal of his pieces exploring the theme of nuclear threat.