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Maria Fernanda Cardoso performing Cardoso Flea Circus at The Fabric Workshop and Museum, Philadelphia. December 6, 1996. Photo credit: Will Brown. Maria Fernanda Cardoso, in collaboration with The Fabric Workshop and Museum, Philadelphia. Cardoso Flea Circus, 1996. Acrylic and oil on cotton canvas, pigment on nylon taffeta, various fabrics, steel, brass, video, various props, and fleas. 116 x 96 inches (294.64 x 243.84 cm) closed. Edition of 2. Maria Fernanda Cardoso performing Cardoso Flea Circus at The Fabric Workshop and Museum, Philadelphia. December 6, 1996. Photo credit: Will Brown.
Maria Fernanda Cardoso performing Cardoso Flea Circus at The Fabric Workshop and Museum, Philadelphia. December 6, 1996. Photo credit: Will Brown.
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Maria Fernanda Cardoso, in collaboration with The Fabric Workshop and Museum, Philadelphia. Cardoso Flea Circus, 1996. Acrylic and oil on cotton canvas, pigment on nylon taffeta, various fabrics, steel, brass, video, various props, and fleas. 116 x 96 inches (294.64 x 243.84 cm) closed. Edition of 2.
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Maria Fernanda Cardoso performing Cardoso Flea Circus at The Fabric Workshop and Museum, Philadelphia. December 6, 1996. Photo credit: Will Brown.
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Maria Fernanda Cardoso

Several years before realizing the idea of the Cardoso Flea Circus, Maria Fernanda Cardoso began researching the history of flea circus performances and teaching herself the lost art of training fleas. Popularized in the nineteenth century, flea circuses were novelty performances staged for small groups of onlookers; two varieties are documented—one that used “sleight of hand” to create the appearance of real fleas, and a second that used actual fleas. Cardoso, whose past sculptural investigations have often been inspired by the animal or once-living world (using such material as shells and bones), was interested in raising and training live fleas.

At the FWM, Cardoso created the “big top” tent to heighten the per formative aspects of the circus while also allowing for a sculptural installation to remain after the initial performance was over. Constructed from a variety of fabrics—canvas, taffeta, silk, rayon, cotton, and polyester—the tent is highly decorative and is embellished with painted portraits of the famous flea per formers. A plexiglass arena, which serves as the staging ground for the fleas’ performances, is equipped with props such as cannons, netting, tall ladders with thimbles of water, and tightropes.

When performing Cardoso Flea Circus, Maria Fernanda Cardoso, dressed in circus attire, leads her fleas through a series of daring tricks, all of which are designed to accentuate the fleas’ natural responses to heat, light, and breath (carbon dioxide). The compelling acrobatic efforts of the fleas include dancing, tightrope walks, high dives, and weightlifting. Cardoso and her husband, video and filmmaker Ross Harley, created a video of the circus with the FW+M, which serves as a stand-in for the live performance and provides close-up views of the fleas per forming their tricks.

Bio
Colombian, born 1963, lives in Sydney, Australia
After completing an undergraduate degree in visual arts and architecture in Bogotá, Colombia, Maria Fernanda Cardoso came to the United States to pursue graduate training in sculpture, first at the Pratt Institute in New York (1987–1988) and then at Yale University (MFA, 1990). She is most well known for her performances and installations of the Cardoso Flea Circus, a project she fully developed in collaboration with the FW+M. In addition to her 1996 performance at The Fabric Workshop and Museum, Cardoso has presented the Cardoso Flea Circus at the Sydney Opera House (2000), Centre Georges Pompidou in Paris (1998), and the San Francisco Exploratorium (1995–1996).